You move cards around the gamespace following a set of rules. For example, the cards will be stacked K, Q, J, 10, 9, 8, 7, 6, 5, 4, 3, 2, A with no mixed suits. These sequences are based on suits and rank. The goal of the game is to stack cards into sequences. Once a full suit of thirteen cards is assembled, it is discarded. How To Play Spider SolitaireĪssemble thirteen cards of a suit, in descending sequence from King to Ace. It's popularity exploded when it came preinstalled with Microsoft XP in 2001. The game didn't make its way across the Atlantic to the USA until 1870 where it became known as “Klondike Solitaire”, then just “Solitaire”. Solitaire, in its original form, emerged in the 1700s in northern Europe. One difficult and challenging variation, Spider Solitaire, is a very popular two-deck version of the game. If you've played traditional Classic Solitaire, and looking for more of a challenge, you might want to take a look at some of the variations. A Beginner's Guide to Playing Spider Solitaire Practice in one suit mode and work your way up. Four suit Spider Solitaire is arguably the hardest Solitaire version for a player to master. Playing in four suits mode is significantly harder than playing in one suit mode.
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Splitting the middle term – a method for factoring quadratic equations. Although c is a constant, it is sometimes referred to as a coefficient in this context. In the standard form of a quadratic equation a x 2 + b x + c = 0, a, b and c are coefficients. The numbers or expressions we are multiplying are called the "factors" of that product.Ĭoefficient – a number used to multiply a variable. When multiplying two numbers or expressions, we get a product. In such cases, we need to use another method, such as the quadratic formula, to solve them.įactor – a number or expression that divides another number or expression evenly, with no remainder. It is important to note that not all quadratic equations can be factored. To distinguish between the roots, write the x as: Solving these two linear equations will give us the roots for the quadratic equation: So we can set each of the factors to zero and solve for the variable: When the product of two factors equals zero, one or both equals zero. Or, in other words, finding the roots of the quadratic equation. The equation's factored form allows us to find the variable values that would make the equation true. Since both sides are equal (they are the same equation written in a different format), that means that the factored form equation also equals zero: The standard form of a quadratic equation is a x 2 + b x + c = 0, in which a, b and c represent the coefficients and x represents an unknown variable.įactoring quadratics is a method of rewriting a quadratic equation in its factored form (a form of its linear factors): Factoring (or factorizing) is one of the ways to solve quadratic equations, like the quadratic formula and completing the square. Serkis’s motion-capture as Kong was supplemented, seamlessly enough it seems to me, by keyframe animation who can tell which bits refer to Serkis, and which are filled-in? Serkis himself has suggested that he is the voice, the emotions, the movements of such characters, but that he cannot be their body. As Serkis consistently shows, the possibility enshrined in motion-capture is dazzling. In one sense the entire performance is, as it says, and as Kong and Caesar are, “captured,” taken from Serkis’s self in another, it’s hard not to feel it’s all a conjuration, a version of the marionette theater. In all his motion-capture films, though his doing so is mediated by computer, Serkis finds the person in the “other.” Yet watching him and watching the other that is him, we cannot help but wonder how much of Serkis is there. The destabilizing possibilities of pretense draw these three problems together, drawn into one by the technological apparatus of film. If our robots and computers imitate feeling, then is that feeling “real” or not? The question of technology merges with the question of the existence of other minds-and when the digital other lives in a fiction film then that throws the question of the actor into the mix. When we watch an actor, the very skill of their performance raises the question of how we distinguish a pretended emotion from a real one. It is striking how often, in talking of his work, Serkis refers to the honesty of a performance, the finding in acting of a character’s emotional truth. For all the intervention of computers, as Gollum, as Kong, as Caesar, even especially as Supreme Leader Snoke, that desiccated, malevolent Bing Crosby simulacrum, he’s still human and his humanity, his personhood, informs all that he does. Yet in many ways Serkis stands for the resilience of the presence of the human spirit on-screen, a living exemplar of our ineradicable interest in persons. If Scarlett Johansson and Shu Qi represent the piecemeal arrival of the post-human on film, then Serkis might appear to advance that invasion several leagues. Inevitably in watching Serkis’s intensely felt performances, all mediated by technological intervention, questions of the continued presence, or absence, of the human arise. The stage seemed his place I never thought I’d next see him living through a puppet as a digital double of a time-decayed hobbit. Serkis was amazing that night, standing, in his folly and aggression and compassion, for all kinds of humanness. Over the years I’d forgotten who played Lear (it was the excellent Tom Wilkinson), but Serkis’s Fool has long stayed with me, ferocious and vulnerable as he was, going on, as I remember it, to hang himself at the play’s end. I first saw Serkis in 1993, playing The Fool as a drag queen in Max Stafford-Clark’s Royal Court production of King Lear. Instead he offers a chameleon identity, almost a romantic ideal of the actor (not the star), someone absorbed in and yet still expressing himself through a myriad kinds of otherness. In doing so, he subverts another key element in our idea of the film star: that is, that they should stand for a particular mode of individuality, an instance of personhood contained in one mortal frame. The immense variety of Serkis’s performances is extraordinary not only has he evaded typecasting, with the help of the digital vision, as no actor could have hoped to have done before him, he has transcended the limits of his physical body. Though he has many notable “live” on-screen roles to his credit, as, for example, Ian Brady in Longford (2006) and as Ian Dury in Sex & Drugs & Rock & Roll (2010), he is best known for roles where, in a sense, he doesn’t appear on-screen at all, talentedly present and strangely absent.Īs a “performance capture” actor and as a voice in computer-animated films, he has played Gollum (also known as Smeagol) in Peter Jackson’s Lord of the Rings films and the first part of The Hobbit (2012), as Kong, for Spielberg as Captain Haddock, as Supreme Leader Snoke in the rebooted Star Wars films (2015, 2017), and as Caesar in the latest Planet of the Apes trilogy. Andy Serkis is a new kind of movie star, ubiquitous and invisible. At the cinema, I watched both Steven Spielberg’s The Adventures of Tintin (2011) and Peter Jackson’s King Kong (2005) unaware that Serkis was performing a major, and even indeed the central, role. Film stars live through recognition, yet Andy Serkis can pass through a film unseen. Play up to 5 years of past Daily Challenges.You can now get the Microsoft Solitaire Collection Premium Subscription for $1.99 USD per Month or $9.99 USD per Year.īenefits that come with a Premium Subscription include: Connect with an Xbox Game Pass account to access an ad-free game experience!Ĭelebrate over 30 years of the BEST Solitaire card games, right here, in Microsoft Solitaire Collection! Sign-in to multiple devices with the same Microsoft account to pick up where you left off and continue playing Solitaire card games you love wherever you go. Sign-in with a Microsoft Account to save your player stats, XP and level, earn achievements, and play Events. From the simplicity of “Classic”, to the relaxation of the Beach, the sophistication of Dark Mode, or travel back in time to Retro card backs from the 1990s version. Microsoft Solitaire Collection features several themes to make your card game match your mood. Play new solvable card challenges in all five (5) game modes with multiple levels of difficulty! Complete Daily Challenges to earn Solitaire badges and rewards! Sign in with a Microsoft Account to keep your awards, track your progress, play pervious Challenges, or compete with other players. Reach the top of the Pyramid and clear as many Solitaire boards as you can.Ĝombine two cards adding up to 13 to remove them from the board.The most relaxing, stress-free version of Solitaire.Select cards in a sequence, earn combo points, and clear the board.Succeed by thinking several moves ahead.Use four free cell spaces to move cards and clear them from the table.Play single suit or challenge yourself with all four (4) suits.Ĝlear all eight (8) columns in the fewest moves.Ĝlear cards from the table with one or three-card draw.With so many ways to play, the choice is up to you! Unlock over 75 Achievements to test your Solitaire skills and achieve a higher Gamerscore. Relax with the classics, enjoy keeping your mind sharp, or challenge yourself with features like Collections, Daily Challenges, Events and Rewards. Celebrating over 30 Years of FUN – join millions of gamers worldwide in the most played video game of ALL TIME! Discover the BEST Solitaire card games in one app Klondike Solitaire, Spider Solitaire, FreeCell Solitaire, TriPeaks Solitaire and Pyramid Solitaire! Simple rules and straightforward gameplay make Microsoft Solitaire Collection fun for players age 8 to 108. When I realized I was going to record it, I had to say to myself, wait: I’ve got to find an edited version of this with fingerings! Because what I normally do is find different fingerings every time I play, probably. With the Shostakovich, I just played it and played it and played it. And even with the bass line, if you stop looking you think you know what it is, but he always thought it out so well that it’s not always not predictable, but his note is always better than yours.ĮI: Do you work out your fingerings early on, or keep experimenting? So you’ve changed harmonic center in the process of playing what you thought was a simple scale so you can’t take your eyes off the music. And Bach has this crazy ability to change key in the middle of a scale. And working on the fingering puts you in a hypnotic state, playing the same phrase down one half step at a time or down a scale, and you’re doing the same fingering but it isn’t the same fingering, depending on how many black keys are involved. The jazz player doesn’t ever play these patterns: they don’t come up certainly not in the left hand. Probably I’m in better shape than I was before, due to some of the patterns Bach forces upon you. But I’ve seen how it seems to work this time, and I’m just taking advantage of it. When I was getting ready to record Mozart I couldn’t have mixed both. I didn’t realize that it was helping me improvise until Gary Peacock looked at me between sets and said, “Whatever you’re doing, keep doing it.”ĮI: So, at one point, going between jazz and classical felt like more of an embouchure change than it does now? Is it beginning to even out? Because by the time I do the finger-work that Bach requires, and the control thing, my fingers are ready to be completely out-of-control and in-control at the same time. But! I thought I was going to shelve the Bach, but now I’m playing the Bach, and for the last twenty-five minutes I do the other thing and it works very well. I was just working on Bach over the last few months, and now I have to shelve that and pretend that I know how to do a solo concert, and while I’m pretending that, that’s practicing. Sometimes I have to slowly erase one thing and move towards another. It really depends on what I am working towards or away from or both. There was a long time in my life (when I was ill) when I didn’t practice really at all regularly, but now, yes, I do. Steve Weiss was the engineer and Bradley Farberman handled the transcription.)Įthan Iverson: Do you play the piano every day? (Reprinted from old DTM originally posted September 2009. Thanks to Peggy Sutton of BBC’s Jazz on 3 for arranging the interview. Thus, if purchasing items of the Attack on Titan uniform separately, the jacket could be the most expensive item, with an exception to the maneuver gear box. Jackets are mostly sold separately due to its popularity and versatile wear. The left breast pocket should have the correct logo of its respected branch, and a bare right breast pocket. Both shoulders have belt buckles on the top shoulder areas. High quality jackets are made of a combination of polyester, cotton, and microfiber. Depending on the brand that manufactured the jacket, it is usually 100% polyester. Regardless of the military branch of choice, all jackets are a long sleeved high waist jacket. It can be worn for non-cosplay related activities and considered a fashion statement. The light brown waist high jacket may be the most popular part of the uniform. For high quality full set costumes, they usually start around $70. Prices for uniforms, depending on full set costumes or parts, can range from $14.99 - $70(shipping & tax not included), another aspect that affects the price is quality. Notable members are Hitch Dreyse and Dennis EibringerĪttack on Titan uniforms can be at popular cosplay choices. The horse head is facing to the left encompassed in the traditional grey and white shield. The Military Police Brigade logo is of a green horse head, or rather a unicorn, with white hair and a white horn in the shape of a sword blade. The Military Police Brigade also has the traditional white collared button up shirt, white fitted pants, dark brown knee-high boots and waist skirt, light brown waist jacket and a maneuver gear box. Members of this branch are Orvud, Keitz Wilman, Rico Brzenska, and others. However, the logo for The Garrison has a design with two red roses in a grey and white colored shield. The logo is in the same position, on the back of the jacket and also on the back of the green cape with a hood. The uniform is similar with a white collared shirt, white fitted pants, a dark brown colored waist skirt for the maneuver gear box, dark brown knee-high boots, and a light brown high waist jacket. The Garrison branch protects and patrols the citizens within the Walls. For example, Mikasa Ackerman wears a scarf, Eren Yeager wears a key-shaped necklace, and Levi Ackerman wears a white ruffled cravat. Soldiers in this branch have a maneuver gear box which is strapped onto their waist area with harnesses along the chest and legs area.Įach character has a variation to their uniform to emphasize individuality and personality. The uniform also comes with a green cape with a hood that also encompasses the Survey Corps logo on the back. The Survey Corps uniform consists of a white button up collared shirt, a dark brown waist skirt, fitted white pants, knee-high boots of the same color as the waist skirt, and a light brown colored high waist jacket with the white and blue wings in a grey and white shield logo. This branch is the most popular due to the main characters being assigned to this branch. The Survey Corps are responsible for exploring areas outside of the Walls to find more territory and scout for any endangered human civilizations outside of the Walls. They are as follows: The Survey Corps, The Garrison Regiment, and The Military Police Brigade. In the Attack on Titan series there are three branches of the military that are responsible for keeping the Titans at bay and protecting the citizens within the Walls. The signature uniform and clothing designs from the series are a popular choice for cosplayers and merchandise that Attack on Titan fans go crazy for. The Attack on Titan series has become a worldwide phenomenon and extremely popular in the Otaku and cosplay community. The last time we checked the price for Proxima Nova, it was available for as little as $29.00. If you've made it this far down the page and you are really interested to use Proxima Nova for your new project, great! Not to mention it is illegal to use Proxima Nova if you did not pay for it. You might also get a virus on your computer or get hacked as a result. I'm sure if you tried really hard, you could figure out how to download Proxima Nova for free. If you really want this font for your new project, support the designer and the foundry and click here to purchase it officially. Please do not try to find a free download of Proxima Nova. Like all of the fonts listed here on The Font Bot, Proxima Nova is a premium font and is not available to download for free. This font has 48 style(s) and was published by Mark Simonson Studio. 3 Thông tin ca phông ch Proxima Nova Vit hóa. 2 Cách s dng Proxima Nova Vit hóa mi nht. Contents hide 1 Gii thiu vài nét v font ch Proxima Nova Vit hóa. Proxima Nova was designed by Mark Simonson. Hãy cùng tìm hiu v cách download Proxima Nova Vit hóa cc chi tit qua bài vit di ây nhé. Proxima Nova Extra Condensed Black Italic.Proxima Nova Extra Condensed Extrabold Italic.Proxima Nova Extra Condensed Bold Italic.Proxima Nova Extra Condensed Semibold Italic.Proxima Nova Extra Condensed Medium Italic. Proxima Nova Extra Condensed Light Italic.Proxima Nova Extra Condensed Thin Italic.Proxima Nova Condensed Extrabold Italic.When you download Proxima Nova, the family will include the following font styles: Matching small caps for all weights and widths*. Matching italics for all weights and widths. 3 widths: Normal, Condensed, and Extra Condensed. Feature Summary:Ĩ weights: Thin, Light, Regular, Medium, Semibold, Bold, Extrabold, and Black. The result is a hybrid combining humanistic proportions with a somewhat geometric appearance. Stylistically, Proxima Nova straddles the gap between typefaces like Futura and Akzidenz Grotesk. Each width consists of 16 fonts-eight weights with matching italics. There are three widths: Proxima Nova, Proxima Nova Condensed, and Proxima Nova Extra Condensed. The original six fonts (three weights with italics) have been expanded to 48 full-featured OpenType fonts. The Proxima Nova family is a complete reworking of Proxima Sans (1994). Avoid the spammy "free" sites and click below to download Proxima Nova directly from Fontspring, the best place to get all the fonts you need, worry-free! Download Proxima Nova Now What is the Proxima Nova Font? If you want to download Proxima Nova then you are in the right place. Clean tags #įilters the script through the “clean tags” automation script, which tries to clean up the override tag blocks by concatenating adjacent blocks and removing redundant tags (more specifically, the second instance of tags that can only be specified once per line). See variable framerate video for further details. Does nothing if you do not have timecodes loaded. In “variable” output mode, uses the framerate of the loaded video (or the specified one, if different from the video’s) and the loaded timecodes to recalculate every single timestamp in the script so that the exported subtitles can be hardsubbed on the loaded video and still sync up after timecodes are taken into account. Can be used for NTSC->PAL conversions or vice versa. Note that this means that the entire script will be “sped up” or “slowed down”. In “constant” output mode, recalculates every single timestamp in the script (including ones contained in override tags) to work with a new framerate. See the karaoke templater and automation overview pages for further details. Karaoke template #įilters the script through the automation script “karaoke templater” to generate karaoke effects. Does nothing if you do not have video loaded. The following filters are available in the default installation: Limit to visible lines #Įxports only the lines that are currently visible on the active video frame. Also note that this will almost always mean that a lot of formatting tags will be stripped. When you click the “Export” button, do note that you can choose other formats than ASS to save to. May be useful for exporting to legacy programs that do not support Unicode. The dropdown menu at the bottom controls what text encoding will be used for the exported file. Some filters have configuration parameters those that do will extend the window to the right and put any settings controls there. The lower half contains a brief description of the selected filter. Ticking one or more of them will apply them in the order they are listed use the move up/down buttons to change the order. The upper half of the window contains the available filters. This is used for a number of things ranging from framerate conversions over karaoke effect generation to just saving to other formats and/or character sets. In addition to the normal “Save” and “Save as” functions, Aegisub also has an “Export” feature, which can transform the entire script through various export filters. Staying in shapeĪ neat finish starts with an accurate transfer. By working the outlines of the letters first in this way, you will create a cleaner silhouette that you can fill with any stitch you’d like without losing any of the project’s overall neatness. Long and short stitch is particularly well-suited to large areas of fabric as satin stitch can become saggy when worked on garments or items not displayed in a hoop due to the long stitch length.įor lettering with a mixture of thick and thin lines, it’s best to first outline the text using backstitch or split stitch - working a single line of your chosen stitch for the thinner lines – and then fill in the larger sections using a filler stitch such as satin stitch, long and short stitch, or even something more open like chain stitch. These stitches allow you to quickly fill larger areas, creating either a smooth texture with satin stitch or a textured appearance with long and short stitch. You can also use these same stitches to fill in slightly thicker sections of the font once you’ve worked the outlines of each area.įor blockier, angular fonts, satin stitch or long and short stitch are the way to go. Try to keep your stitch length nice and short when working a script font, this will help you create smoother curves and a neater overall appearance. These stitches allow you to create the appearance of one continuous line as if you were writing the letters by hand. Script fonts, which feature curves and thin lines, are best worked using outline stitches such as backstitch, stem stitch or split stitch. All you need to know about embroidery lettersĪll you need to know about embroidery letters Which stitches to use for embroidery letters?īefore you begin stitching any lettering, think about which stitches will best show off your chosen design and make the words easy to read.They can make lovely keepsakes for all occasions new babies, weddings, anniversaries and birthdays, to name a few! Finally, you'll find a number of embroidery lettering kits available to purchase from trusted retailers and talented designers, we have included these because we know as a newbie it is helpful and easier to have all the tools and materials ready to go - plus you get helpful guides and instructions.Įmbroidery letters can add that extra touch of personalisation to any embroidery project, making it the ideal skill if you love to give your embroidery away as gifts to friends and family. Then you'll find our step-by-step guide to embroidering a sweatshirt (including a free template!) so you can put all your newfound knowledge into practice straight away. In this article, we'll give you guidance and top tips from the experts on how to get started on your next embroidery lettering project. Have you always wanted to find out how to embroider letters? Beautifully embroidered letters can have a multitude of uses, from monograms to personalised jumpers and hoops, there's plenty you can do once you have the know-how. Sometimes, less is more, and a simple Medusa tattoo proves just that. It’s a design that captures the duality of Medusa’s story, a nod to her origins as a beautiful maiden. Feminine Medusa tattoos often incorporate elements of beauty and grace - think flowing lines, subtle curves, and even floral motifs entwined with her serpents. It’s a choice for the bold, the ones who aren’t afraid to stand out.ĭon’t let the horror stories fool you Medusa can be as feminine as she is fierce. This design uses deep, unrelenting shades of black to carve out Medusa’s form, resulting in a striking contrast that’s as definitive as her myth. If the black and grey tattoo is a silent film, then the blackwork Medusa is its bold, unapologetic successor. This tattoo style is perfect for those who appreciate the classics, translating ancient stone and sculpture into the medium of ink. The subtlety of monochrome brings out the textures and shadows, turning your skin into a canvas for a Greek tragedy. There’s something timeless about a black and grey Medusa tattoo. Each one tells a story, not just of the Gorgon herself, but of the person who chooses to bear her image. It’s a revival of a mythological being in a form that’s as captivating as her legendary gaze. Medusa tattoo has slithered its way into the hearts of ink enthusiasts everywhere. The duality of her image-both frightful and protective-allows Medusa tattoos to resonate on multiple levels. For many, she is a symbol of female empowerment, a guardian against misfortune, and a celebration of survival against those who sought to wrong her. Medusa represents the triumph over trials, the power one finds in overcoming personal demons. Symbolism of Medusa TattoosĬhoosing a Medusa tattoo often speaks to a personal journey of transformation. Yet, beyond this monstrous veneer, many see Medusa as a victim of circumstance, her image now reclaimed as an emblem of protection, warding off evil with the very curse that sought to isolate her. Once a ravishing maiden, Medusa was cursed by the goddess Athena, her luscious locks turned to a mass of serpents, her gaze becoming so piercing it turned onlookers to stone. Medusa’s tale is one steeped in tragedy and transformation. |